Chaos Consortia

in Space Grey | Tosca Terán: Chaos Consortia

November 11, 2021

Considering fluctuating assemblages, lands, populations and transactions.
I’m drawn to Symbiogenesis. Symbiogenesis, literally ‘becoming by living together,’ refers to the crucial role of symbiosis in major evolutionary innovations.

On a microscopic level, borders and boundaries collapse, our shared environment becomes more apparent. Carl Sagan told us, “Humans are a way for the Cosmos to know itself.”
Perhaps the {human}Holobiont is a way for the Earth to explore itself as a thinking, learning, self-assembling mass of microbes, bacteria and fungi.
A Chaos Consortia.

Extinction/Evolution
Capitalism/Communism
Anthropocene/Chthulucene

The visual representation of the grey space in this work is a collision and interaction between different information streams to visually represent an analog to the intersecting extremes of the black and white polarity of beliefs, facts and concepts. However, the grey space is not a fixed point between polar opposites; therefore, the composite image produced by the interaction of point cloud data from Canadian Boreal forest regions, with bio-data gleaned from living mycelium is in a constant state of change. At first, the flux of seemingly unrelated data streams creates a kind of noise that, when viewed over time, betray a sense of pattern evoking the building blocks of life itself on a nanoscale. There is no permanence or exact repetition to the visualization. Still, a powerful suggestion of the transience of all living things is conveyed through a virtual cycle of life and death, creation and decay.

Photogrammetry scans output as point clouds which have been fed into a code driven generative feedback loop. The Point cloud scans are being triggered from biodata that was translated in real-time from living fungi, which also create the soundscape.

Tosca Terán describes herself as an interdisciplinary, human holobiont, whose work is a confluence of art, ecology, and craft. Her work has been featured at The Harwood Museum, SOFA New York, The Toronto Design Exchange, MOCA Toronto, The Ontario Science Centre, Music Works Magazine, Vector Festival, Studio Art & Craft Canada, SONICA21, Glasna Music Magazine, The Mushroom UK, NAISA (New Adventures In Sound Art), and Ars Electronica. Awarded funding support and residencies from the Goethe-Institut Montreal, The Canada Arts Council, BigCi Environmental Award at Wollemi National Park, Ontario Arts Council, the Toronto Arts Council, Coalesce Centre for Biological Art for her immersive, nonhuman bio-sonification projects.

in Space Grey was a durational mostly a-synchronous online exhibition running in fall-winter 2021, meditating on themes of connection, environmental extraction and accelerated capitalism. Works presented by Ashley Bowa & Lesley Marshall, WhiteFeather Hunter, Maize Longboat, Tina Pearson, Manuel Piña-Baldoquín, Emilio Portal and Tosca Teran.

About DARC Microcinema

DARC Microcinema is a venue powered by the Digital Arts Resource Centre (DARC), located in Ottawa, Canada. The space is uniquely configured to present installations, screenings, and performances by contemporary artists working within the field of media art and the moving image. The opening of DARC Project Space in January 2018 was part of a major expansion project for DARC, and represents a significant addition to its long history of nurturing and championing experimental practices.

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