Mary Two-Axe Earley sitting at a table in her Kahnawà:ke home. She is in black and white while the rest of the image is in colour.

Anishnabe Azejicigan | Misogyny, Marriage and the Indian Act

June 15, 2021

This month during Anishnabe Azejicigan,  Monique Manatch will talk with Filmmaker Courtney Montour about her new film Mary Two-Axe Earley: I Am Indian Again

Mary Two-Axe Earley: I Am Indian Again shares the powerful story of Mary Two-Axe Earley, who fought for more than two decades to challenge sex discrimination against First Nations women embedded in Canada’s Indian Act and became a key figure in Canada’s women’s rights movement.

Using never-before-seen archival footage and audio recordings, Mohawk filmmaker Courtney Montour engages in a deeply personal conversation with the late Mohawk woman who challenged sexist and genocidal government policies that stripped First Nations women and children of their Indian status when they married non-Indian men.

Montour speaks with Cree activist Nellie Carlson, Mary’s lifelong friend and co-founder of Indian Rights for Indian Women, and meets with three generations in Mary’s kitchen in Kahnawà:ke to honour the legacy of a woman who galvanized a national network of allies to help restore Indian status to thousands of First Nations women and children.

SPEAKER

Courtney Montour is Kanien’kehá:ka (Mohawk) from Kahnawake. She works in the documentary film and digital media fields exploring issues of Indigenous identity. She directed, wrote and co-produced Flat Rocks (2017), a short documentary revealing how the development of Canada’s St. Lawrence Seaway forever changed the landscape and the livelihood of the Kahnawake Mohawk community. Her first documentary Sex Spirit Strength won Best of Festival and the Emerging Filmmaker award at the 2016 Yorkton Film Festival. She has directed episodes for several documentary series including Mohawk Ironworkers (2016) and Skindigenous (2021). Courtney co-created and coordinated McGill University’s Indigenous Field Studies course, held in Kahnawake, for 8 years. Passionate about educating, the course surfaces the intergenerational effects of colonization and Canadian policies on contemporary Indigenous society.

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Digital Arts Resource Centre (formerly SAW Video) is a not-for-profit, artist-run media art centre that fosters the growth and development of artists through access to equipment, training, mentorship, and programming. Our mission is to support a diverse community of media artists empowered by technology, programming and the exchange of ideas.

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